James Hance is an incredibly talented character artist and painter. His art features a wide range of Stars Wars, Muppets, celebrity and pop culture references.
Here's an exerpt from his website explaining his three distinct styles:"James appears to have three styles of painting, extremely expressive such as in one of a few depictions of Heath Ledger in the role of Joker, highly painterly in pieces such as his Starwars influenced tribute to the classic Hitchcock thriller North by Northwest and photorealistic "digitally enhanced" paintings such as The Gentle Sith. There are plenty of in-jokes in Hance's portfolio, and it does, from time to time, veer close to socio-cultural comment such as his hauntingly disturbing piece entitled 'Music and Me'."
I am loving these 30 Rock portraits by Andrew Salomone. They feature characters Liz Lemon (Tina Fey) and Jack Donaghy (Alec Baldwin), and the best part is, they are made of Nerds! I am absolutely certain that Liz would appreciate this fine tribute. If you haven't watched the show before, I highly suggest it.
Here is an epic mashup of the characters from the Street Fighter series with a Tron glow. Deviant Art artist BossLogic took the Street fighter characters, and transported them into the world of Tron. He made great use of bright colors and added Tron's signature lines into each piece.
This is a very interesting series by French design duo HELMO (Thomas Couderc and Clément Vauchez) called Bêtes de Mode. Each photo in the series combines a person in a bluish hue and an animal in a redish hue in synchronous poses.This combination gives the images the look of a 3D image without the glasses. I'm not sure if the animals were chosen for each person for a reason, but when they look this cool, I'm not sure that it matters.
Cédric Delsaux was taking photos in the desolate areas of modern cities like Paris and Dubai, but found there was something missing. So he placed Star Wars characters into his photos and created this amazing set of photos entitled Dark Lens. If you like this series, you can buy the book on Amazon.
This is part two of the Archive of the Planet series collected by Albert Kahn. Read part one here.
This description is directly from the Albert Kahn Museum website:
"Albert Kahn built up an iconographic memory of societies, environments and lifestyles – many of them traditional – around the world. From 1909 to 1931, he commissioned photographers and film cameramen to record life in over 50 countries. The images were held in the Archive of the Planet, a collection of 180,000 metres of b/w film and more than 72,000 autochrome plates, of which the Albert Kahn museum now has the largest collection in the world.
Hundreds of autochromes and few movies are available.
Autochrome was the first industrial process for true colour photography. When the Lumière brothers launched it commercially in June 1907, it was a photograhic revolution - black and white came to life in colour. Autochromes consist of fine layers of microscopic grains of potato starch – dyed either red-orange, green or violet blue – combined with black carbon particles, spread over a glass plate where it is combined with a black and white photographic emulsion. All colours can be reproduced from three primary colours."
Here's some great fashion photo retouching by M Seth Jones. He does a great job of creating more dynamic images out of the photos without overly touching them up. Here is how he describes his images:
"In these selected images, you can witness first hand the impact that retouching has the potential to make on a single image. Every image presented to me has an ideal state, that I'm attempting to reach; retouch is so completely subjective, that it is likely that no two retouchers will approach an image in the same manner, or reach the same finished outcome. At this stage, it's clear to see that retouching, at least the way I approach it, is not so much about tapering necklines and re-sculpting facial structure; but rather, sculpting light, and the way it falls on the subject, as well as clarifying the distinctions between the individual colours of the image's palette. This ensures that every element sits harmoniously within the final frame, enabling that ideal state to be presented to the viewer with little-to-no visual distractions."