This amazing paper cut-out artwork was created by Bovey Lee.Here's his description of the work, "The foreground involves a sort of kids fight, surrounded by giant jellyfish being rushed to shore by the crashing waves. The mid-ground consists of two oil drilling platforms, collapsing, exploding, and catching on fire. The main figure is the girl on the couch who is unaware of what’s about to happen and laughing away. In the back, the threatening waves are in full throttle, while elephants balance on beach balls at the edge of a wall of water."
You might remember Matt Mawson from his great Coney Island series. This time he captures the Queensboro Bridge in New York City and its surroundings. I think the high contrast in these photos really helps make these rainy day photos come to life and gives them a gritty look.
I am a huge fan of Michael Ostermann's digital art illustrations. Each one sucks you into a surreal alternate world. Here is how he describes his process:
"Every project is different; in both needs and approach, he usually likes to start with a good photograph, a good idea that sets the mood of the overall image. He then applies his self-made resources and uses several photo-manipulation techniques, seeing where it leads."
This is part two of the Archive of the Planet series collected by Albert Kahn. Read part one here.
This description is directly from the Albert Kahn Museum website:
"Albert Kahn built up an iconographic memory of societies, environments and lifestyles – many of them traditional – around the world. From 1909 to 1931, he commissioned photographers and film cameramen to record life in over 50 countries. The images were held in the Archive of the Planet, a collection of 180,000 metres of b/w film and more than 72,000 autochrome plates, of which the Albert Kahn museum now has the largest collection in the world.
Hundreds of autochromes and few movies are available.
Autochrome was the first industrial process for true colour photography. When the Lumière brothers launched it commercially in June 1907, it was a photograhic revolution - black and white came to life in colour. Autochromes consist of fine layers of microscopic grains of potato starch – dyed either red-orange, green or violet blue – combined with black carbon particles, spread over a glass plate where it is combined with a black and white photographic emulsion. All colours can be reproduced from three primary colours."
Here is an epic mashup of the characters from the Street Fighter series with a Tron glow. Deviant Art artist BossLogic took the Street fighter characters, and transported them into the world of Tron. He made great use of bright colors and added Tron's signature lines into each piece.
Cédric Delsaux was taking photos in the desolate areas of modern cities like Paris and Dubai, but found there was something missing. So he placed Star Wars characters into his photos and created this amazing set of photos entitled Dark Lens. If you like this series, you can buy the book on Amazon.
These are some breathtaking black and white underwater photos by Hengki Koentjoro. These photos give you just a small but incredibly interesting look at what life is like in the deep blue. It just goes to show what a large, interesting and amazing place the Earth can be.
You can also check out more photos on Flickr.
Here's some great fashion photo retouching by M Seth Jones. He does a great job of creating more dynamic images out of the photos without overly touching them up. Here is how he describes his images:
"In these selected images, you can witness first hand the impact that retouching has the potential to make on a single image. Every image presented to me has an ideal state, that I'm attempting to reach; retouch is so completely subjective, that it is likely that no two retouchers will approach an image in the same manner, or reach the same finished outcome. At this stage, it's clear to see that retouching, at least the way I approach it, is not so much about tapering necklines and re-sculpting facial structure; but rather, sculpting light, and the way it falls on the subject, as well as clarifying the distinctions between the individual colours of the image's palette. This ensures that every element sits harmoniously within the final frame, enabling that ideal state to be presented to the viewer with little-to-no visual distractions."
Love these illustrations by Claire Hummel (shoomlah on Deviant Art). Claire redrew Disney princesses to have more historically accurate attire. To see some of the resources she used for the dress designs, read her resource page. You can also read an FAQ about this series.